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Q&A
with Melissa Cross
OVERTONES
Hiya Melissa,
I've bought your DVD & CD and they are absolutely astounding.
Great stuff!!! My questions: Is there any way in which I can expand
my vocal range? I listen to and play everything from early-era R.E.M
to Lamb of God and Slayer. I’m pretty sure I’m a baritone
– my voice is sooo deep. I can easily sing Johnny Cash tunes
but I can also sing R.E.M old stuff and Soundgarden’s mellower
tracks as well. I’ve been told that I have a really deep timbre.
Is it possible to use your techniques for additional overtones to
‘sing’ in a ‘higher’ range such as Plant,
Halford, Soundgarden-era Cornell? Because I love all genres of rock/metal
music and I refuse to be labelled or limited - would going back and
forth from singing like Johnny Cash, Michael Stipe, Chris Cornell
and growling like D. Randall Blythe affect my voice negatively and
is this plausible? |
A:
Yes, it is completely plausible and only negative if you execute
incorrectly. A baritone is capable of high pitch as well as low
pitch! Compare a cello to a violin. The cello is capable of many
of the pitches of the violin, however, because the cello is larger,
longer and more dense, the overtone series is different, and it
sounds "thicker" or "darker". Compare a Les
Paul to a Strat. They have the same pitch capability, but the timbre
is different. The Les Paul has thicker, more solid wood., so it
sounds darker. One is not better than the other. It is just different!
What I am saying is that RANGE should not be defined by PITCH, but
rather TIMBRE. Chris Cornell is a BARITONE. Like many accomplished
baritones, his command of falsetto is extraordinary. Ever heard
Tom Jones (maybe before your time)? He sings C above middle C, but
you’d swear it was Middle C!! If you listen carefully to D.
Randall Blythe, you will hear a higher overtone on the deepest of
his growls!. If you listen to Brian Fair of Shadows Fall, you will
hear a lower formant that accompanies his tenor timbre. That's the
trick! To maximize the highs and the lows of every note. That means:
more space in the pharynx and a coordinated “dump”.
Start from the comfort zone of your voice by determining your range.
Keep doing my exercises, and you will access control of all your
registers in order to achieve that overtone. Don’t be stubborn
about singing tunes in their original key if it’s not comfortable.
You will give the same aura as the original if that overtone is
there, and it will never occur to anyone that it is in a different
key. Give yourself a break by not thinking of it as high pitched
or low pitched. The imagination, which controls the voice, does
not respond properly to the concept of high and low ANYTHING. Such
thinking will defeat the overtone by dictating an upward or downward
movement of the voice box. By doing the warm-ups, that habitual
high/low thinking will be replaced. You will acquire an ease of
execution to access all the notes that you need to be the best self
you can be. Don't worry about painting on a veneer of vocal “types”.
Just be your voice and sing the song in the most comfortable place
and it will soar. Hope this helps and thanks for writing!
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“DO
IT YOUR WAY and DO IT RIGHT”
QUESTION:
I'm a girl, and I'm really interested in hardcore music (Every Time
I Die) I'm 15, and I play the guitar and the drums, and to top it
off, I would like to be able to scream/sing/yell. I admire Keith
Buckley's voice, and I was wondering if you have ever worked with
girls who have a desire to sound anything like him (without sounding
too much like a man). I was also wondering if the advice you would
give would differ from his because of age and gender. Thanks!
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ANSWER:
Firstly, the most important thing to know is that you should never
want to sound LIKE anything or LIKE anyone. It won't sound good
if you are imitating anything. The reason that you love Keith Buckley
is because Keith sounds as much like Keith as Keith can. Keith does
Keith awesomely --much better than you ever will. But Keith won't
be sounding like YOU, even if you WERE a guy- because then he would
not be coming from that place that makes you love Keith so much!
So, the journey for you is to be YOU. And that means
understanding your vocal instrument intuitively, like you will understand
your guitar and drums the more you play them! As far as being 15,
you should know that it is particularly important for you to be
learning how to use your voice correctly NOW. It is not fully developed
yet, and you could cause some serious damage by doing extreme vocals
incorrectly that will limit you in the future.
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